Size / / /

Each spring the rivers rose, I pushed my boat
out to the drowning forest. Hares
stood on tree stumps, shaking. Each to each
rattled the babble of snowmelt, clung
to the last of dry ground.
Whole villages of them.
The birch girls, up to their knees in water,
waved at me, and their springbright arms
budded small and tender. And the river sang,
in the days of my spring, oh how the river sang
my hare-heavy boat tilting into summer
all the way to the dry shore and the joyful leap.
Year after riversweet year
My face wore in, moss-laden like the old wood,
but still I rowed out each spring, until the water
went shallow. Until the forest
wilted with slow poison.
I have clung to this ground
beyond hope, beyond stubbornness—but now I will row
for the last time, steer with the oars of November
my hare-heavy boat up the ghosts of riverwings,
look for dry ground
between the flooded fields of the moon.




R.B. Lemberg (they/them) is a queer, bigender immigrant originally from L’viv, Ukraine. R.B.’s work set in their fantastical Birdverse has been a finalist for the Nebula, Ignyte, World Fantasy, Locus, Crawford, and other awards. R.B.’s Birdverse collection Geometries of Belonging is currently shortlisted for the Ursula K. Le Guin Prize for Fiction. You can find R.B. on Instagram and Bluesky, on Patreon, and at rblemberg.net.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Issue 15 Apr 2024
By: Ana Hurtado
Art by: delila
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Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
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Issue 26 Feb 2024
Issue 19 Feb 2024
Issue 12 Feb 2024
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