Size / / /

Intricate whorls and loops
like the flight
of summering buzzards
who swoop through the hollows
and hover over ridges
to capture updrafts

Induced to have faith
in each curious print curving
unique as the Buddha's
identifying our flesh
a nomenclature of memories
tracery of dreams

Invented by bureaucracies
intent on convincing
the milling masses
to build straight highways
and hurtle headlong
down each slick & proper lane

Investigators conspire
to bar us from shadows
steer clear of sinuous alleyways
and sins of meandering
for they pretend to recognize
the spirit under the skin

In the police station
the officer whispered of inks
and paper and durability
how the old fingerprints
had already faded
out of the files

I like to imagine
prints on their own at last
wandering the dark paths
wistful or blissful
remembering their owners
who also disintegrate to dust

 

Copyright © 2003 Jacie Ragan

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Winner of The Lyric Memorial Award, Byline's annual poetry contest, Mississippi Valley Poetry Contest, etc., Jacie Ragan writes from the Missouri backwoods where she likes to bake bread in her wood cookstove. Her most recent chapbook is Deadly Nightshade, published by Flesh & Blood Press.



Bio to come.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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Art by: delila
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Art by: Kim Hu
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Issue 19 Feb 2024
Issue 12 Feb 2024
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