Size / / /

It isn't really absent from the mirror—

just many times removed.

Think of a computer's hard drive,

imagine a file, or many files,

deleted but not really gone;

a skilled hacker can disinter them.

Or picture an old, pre-digital camera:

think of double exposures

doubled and redoubled,

layer after folded layer,

an endless origami.

Could it be that all those he has fed on,

now part of him,

have begun to usurp his identity?

Or, at least, take away

the part of him

that struggles to be born inside the mirror?

These faces, these lives,

obliterated,

can't be seen clearly

but clearly are effacing his.

Perhaps these others,

no more than a blur at best,

come into focus in his daydreams,

small nuisances,

mosquitoes feeding while he sleeps.

Later, he wakes to the moon's glassy stare,

wondering why he feels hungrier

after each night, each feeding,

than he was the night before.




Duane Ackerson's poetry has appeared in Rolling Stone, Yankee, Prairie Schooner, The Magazine of Speculative Poetry, Cloudbank, alba, Starline, Dreams & Nightmares, and several hundred other places. He has won two Rhysling awards and a grant from the National Endowment for the Arts. He lives in Salem, Oregon. You can find more of his work in our archives.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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