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time wrinkles
   a brief softening
   and then a flood.
rain

tinged with lavender, mild scent

of rot and freshness. a decay and a blossom.
   shedding the old skin, again,
   studded with the last universe’s stars.

rictus, squeezing — pain. the silent sound of tearing.

blood becomes time. then a slinky of selves, wormholing haphazard

between those spaces
between our words
between us,

   when i —
   when we —

that look

between us, before i move all at once — we move — who first? all at once — and we

move as if we can close that space between us, absorb it, make it something new

      — rotting scent of lavender —

      this iteration’s fossil stars.

keep shedding, hungry for the end while you yearn the beginning,
   baby ouroboros. it feels most right when i kiss myself.

                  mirror, mirror,
                  the dark universe above. the dark ocean below.
the smell of salt and lavender, the lapping sound
of waves, or wet kissing.

                  something will be born here —
                  already is.
                  shed universes,
                  thin and papery and discarded.
               drift onto the sea like tan pantyhose
               and float like leaves, nearly translucent.

this universe unclothes me kinder than you. it is me, i fold back on myself, containing all of you — the rotting, blossoming, ineluctable spaces between words and stars, the ineluctable words between spaces and stars

when you can speak those words —
      but nobody ever can —
when you can know what i mean —
      but nobody ever can —

now you know the boundless, unknowable

loneliness of one universe. these words of
    slippery fish, darting golden through the night, and the ocean, like dust.

(text me anyway.
i miss you.)



Emily O Liu is a Chinese American writer from San Diego. A former Fulbrighter teaching English in Taiwan, she is currently studying education at Stanford University. Her work appears in No Tokens, Lost Balloon, Gone Lawn, HAD, and other places, and has been nominated for the Pushcart Prize, Best of the Net, and Best Microfiction. She is interested in windows, languages, multiverses, and any of their combinations. Find her online at emilyoliu.com.
Current Issue
17 Mar 2025

Strange Horizons will have three open fiction submissions throughout 2025.
In this whole ocean, not a single reply.
We are men making machines, making men.
The customer shakes me until his disc drops into the bin below. Please take your receipt, sir. He kicks me in the side and says, “Thanks for nothing, you piece of shit vending machine!”
In this episode of Strange Horizons at 25, we present a soundscaped reading of the poem, 'this tree is a eulogy', and afterward Kat Kourbeti chats to the author Jordan Kurella about his writing process, the wonders of New Weird fiction, and the magic of writer friendships.
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