Size / / /

What We Had

deer-hide kisses and blood in your teeth,
the thrill of the chase and stakes set steep,
certain death, and rebirth
the promise of more than kind words
once you wake from feigned sleep.

Where You Are

kith and kin—enough, perhaps, save what you left 
in the chapel-croft’s green: love running deeper 
than a boy-king’s vows, fiercer than his icy queen.

How You’ll Find Me

by the stones underfoot,
by the hoarfrost, and by
the harsh truth of prayers misspoken;
by the windblown scent of wine,
by light of the Plough as it crosses the sky.




Jane Crowley is deeply enthusiastic about tea, being in and around water, and things with wings (mechanical or avian). By day she is a marketer for a UK university. By night she writes poetry and other miscellaneous fragments that occasionally find a home and get published. You can find her on Twitter at @j_e_crowley.
Current Issue
25 Sep 2023

People who live in glass houses are surrounded by dirt birds
After a century, the first colony / of bluebirds flew out of my mouth.
Over and over the virulent water / beat my flame down to ash
In this episode of  Critical Friends , the Strange Horizons SFF criticism podcast, Aisha and Dan talk to critic and poet Catherine Rockwood about how reviewing and criticism feed into creative practice. Also, pirates.
Writing authentic stories may require you to make the same sacrifice. This is not a question of whether or not you are ready to write indigenous literature, but whether you are willing to do so. Whatever your decision, continue to be kind to indigenous writers. Do not ask us why we are not famous or complain about why we are not getting support for our work. There can only be one answer to that: people are too busy to care. At least you care, and that should be enough to keep my culture alive.
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