Size / / /

Two kids from the city swear they saw

strange lights in the sky, so that is why

we are here, your shoes sinking

in soft mud while I'm barefoot, wading

in water that curls around my toes.

It's twilight, the horizon bruised.

Shanties tilt to the side, floorboards soaked

from spring flooding, moss heavy

on roofs and banisters. Hemlock trunks

throw shadows like men, and I think

of my neighbor who claims that a week ago,

two figures in black suits walked through

her backyard. When she looked for their tracks,

she could only find pawprints of a large dog.

Purple loosestrife springs from small

islands, a lingering breeze sulks, kicks

cattails and chicory weed. In the distance,

towers from the oil refineries spark.

I hear a snap and a splash.

Carp, you say, or maybe brown trout.

Darkness hovers, smooths out the lines

in the sky. We lose hours in complete silence.




Karen J. Weyant's work has appeared in 5 AM, Cave Wall, Copper Nickel, and River Styx. She is the author of two chapbooks: Stealing Dust (Finishing Line Press, 2009) and Wearing Heels in the Rust Belt (winner of Main Street Rag's 2011 Chapbook Contest). "Watching for Aliens over the Allegheny" is her first speculative poem.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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