Size / / /

Twice I have assailed these walls. On the third besiegement

I pay cold cash for entrance. The stacked stones slighted

and somewhat restored, damp and green-stained in cold

streaks, are home, I find, to nestling gulls (stench

and squawk) and starvling beauty. There's more of that

in this stark stone splendor—castle and walls above

the brightest grass atop the huge gray promontory,

where only a thin path leads to the one locked door.

(Where I pay my fine, enter, and explore.) I read that it suffers

the usual bombardments of history: owners changing

in the shuffle of politics, prisoners and revolt, crown jewels

hidden and saved. Mary, Mary quite contrary (Queen of Scots)

walked above this sea, confined; Ninian (saint) built and dwelled;

William Wallace (hero) fought and won. Cromwell's men

starved the castle eight months. One hot summer hundreds

of Scottish Covenenters were packed and tortured into the cellars.

This is more than enough to explain how as I stroll the peaceful,

empty, touristed grounds and find a palm-sized grey stone begging

to be slipped into my pocket, I do. Its weight dogs me, bumps

my thigh as I (a humble, guilty thief) walk back out the gates

and drive away. I have the stone. It reminds me with each step

I take away south as I make my escape. At dinner I pat my pocket,

hope to calm it. That night in my soft borrowed bed I (don't

put it under my pillow, don't rub it until I dream) leave it

pocketed but not forgotten. All night it speaks to me from across

the room, complains and mourns, itching my sleep till I'm fever-

scratched, hallucinating devastations, treachery, bloody wars, stones

blocking the breathless in. Next morning, first thing, I dress and cross

the lane. At the edge of the field I toss it in. But things like this

are far more easily grabbed than let go. My fever dreams continue

for a day, nights I do not sleep or sleep so heavily I never quite wake.

This is how what you take and hold will haunt you, even when

you're days past letting go and have tossed all that disturbance

with your strongest arm into the most peaceful (tilled and muddied)

field. How years later I can still remember its dark weight,

its one sharp point surprising the smooth peace of my palm,

how the memory of this castle (no matter how picturesque and how clear

the light above its walls) brings visions of stinking hunger, mouths

open (beyond wide: squawling, thirsting) in the feverish dark.




Neile Graham's life is full of writing and writers. She is a graduate of Clarion West Writers Workshop and currently serves as their workshop director. Her poetry collections are Seven Robins, Spells for Clear Vision, and Blood Memory, and a spoken word CD, She Says: Poems Selected and New.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
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