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Canadian artist Autumn Domoslai grew up in the mountains and interior regions of British Columbia. It was here, where a few of the great primal forests still stand, that she became aware of the path she would walk. Since then, her life has been a magickal journey full of trials and adventure. Most of all, it has been a journey of the sacred and of learning that all is not as it seems nor do magick and nature work as humans would have it. Destiny works in strange ways.

With an Irish father and a Romany (Gypsy) mother, Autumn was never a stranger to the mysteries of the Otherworld. The path of the Mysteries seemed but to reaffirm both the strength of what she had always believed in, and to add an intensity to her work as an artist. Her fascination with and rendering of the Fey realms derives from here.

Autumn has been a professional artist for 16 years, having taught herself her craft of choice. It is Autumn's firm belief that Magick abounds all around us if only we take the time to seek it, and sometimes it can be seen through the eyes of one who has walked the Sacred Paths and treacherous trails and brought back the old stories and legends of romance and valour, of courage and sacrifice.

The haunting beauty of Autumn's work reflects the magick that she sees. It has touched the hearts and spirits of collectors all across North America.

Autumn works in many mediums, from breathtaking wood and polymer clay sculptures to painstakingly detailed panel boards and canvases.

Tour Autumn's work, piece by piece.

View thumbnails of Autumn's work.





Bio to come.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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