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Direct link: Fund Drive Poetry (mp3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the 2013 Fund Drive and hosts a round table discussion with fellow podcast readers Julia Rios and Ciro Faienza.

  • I Am Learning to Forget by Dominik Parisien, read by Ciro Faienza. You can read the text of the poem, and more about Dominik, here.
  • Full Metal Hanuman, by Bryan Thao Worra, read by Julia Rios. You can read the text of the poem, and more about Bryan, here.

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This podcast has been published as part of our 2013 fund drive bonus issue! Read more about Strange Horizons' funding model, or donate, here.




An award-winning Laotian American writer, Bryan Thao Worra holds a Fellowship in Literature from the National Endowment for the Arts. He is a professional member of the Horror Writer Association and the Science Fiction Poetry Association. In 2012 he was a Cultural Olympian representing Laos during the London Summer Games. His work has been featured internationally, including the Smithsonian traveling exhibit "I Want the Wide American Earth: An Asian Pacific American Story," the National Endowment for the Arts, and the Poetry Parnassus during the 2012 London Summer Games.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Dominik Parisien is a Franco-Ontarian living in Montreal, Quebec. His poetry has appeared in print and online, in the 2013 Strange Horizons fundraising bonus issue for example, and has been reprinted in Imaginarium 2013: The Best Canadian Speculative Writing. He is the poetry editor for Postscripts to Darkness, provides editorial support for Cheeky Frawg Books, and is a former editorial assistant for Weird Tales.
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
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