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The slow putter of motorbikes coughing
Exhaust mingling with prayer-smoke
Rubbing red-rimmed eyes
Am I awake? With the taste of last night’s sleep
Or still half-dreaming, of
The rattling of red plastic cups
The crumbling of ghost-dollars
Into ashes, blackened and paling?

Crimson candles burn
Flame-tips taper to the wind
The morning air is cooling.

We climb into cars
Headlights gutting the dark
Onto main street to join the procession
No honks but steady inches forward.

The temple coils with smoke.
A parade, a veneration
I fumble for my basket:
Yellow, with chicken and pork,
Orange, apples, flour-cakes,
And a shiver. We walk
Into the crowd
Sounds of devotion fill my ears
Eyes stinging (from smoke? or grief?)
I bow my head
Joss in hand, to plunge in ash
Muttering words to a half-hearted prayer.

And again the car
Our bodies packed like matchsticks,
Sharing air gone stale.

Now clamber
Onto paths, mud-slick
Smeared with the tracks of past climbers
Trampling wild-grass and crunching leaves
A breath, heaved out
And a glance skywards
At grey clouds; rumbling rain
As we lay down offerings;
Slash tea and wine across crimson cups.

I do not believe in ghosts
Only wind and a crackling fire
(And a voice telling me I am not alone)

Ghost-dollars spill from the embers
Of a burning box, fenced in joss
I see faces closed in prayer
I put my hands together and mouth the words
I do not believe, but then
I do not know what draws us here.

Is this piety, candle piety?
Or a lamentation:
That we have not yet found rest
That we have not gone to our slumber
That the world is here and they are gone
And left us bereft, to live our autumn lives.



Marcus Chan daydreams, writes, and is probably too fond of a good turn of phrase. Even odds are that he’ll wander through his twenties with a book in one hand and a pencil in the other, happily scribbling away.
Current Issue
12 May 2025

You saw her for the first time at your front door, like she wanted to sell you something or convert you. She had light hair and dark eyes, and she was wearing fatigues, which was the only way you knew that your panicked prayers of the last few minutes had not come true. “Don’t freak out,” she said. “I’m you. From—uh, let’s just say from the future. Can I come inside?”
Time will not return to you as it was.
The verdant hills they whispered of this man so apt to sin / chimney smoke was pure as mountain snow compared to him.
In this episode of Strange Horizons at 25, editor Kat Kourbeti talks to Naomi Kritzer about her non-linear writing journey, imagining positive futures, and how to deal with the world catching up to your near-future specfic.
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