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Your stories make me feel uneasy
Or is that just the glass slicing open
the soles of my feet?

You insist on your modernity
yet

Wolves have been menacing us
since woods were only acorns
We’ve been told
since eternity’s first grumpy yawns
that if we want out of the cinders
we must be the most beautiful
one at the ball
Even if it means
wearing the very heavens
putting up with
the sun’s exhausting heat
the moon’s cold bite
and all those spiky
bits of stars

Apparently we should abandon
classical pantheons
and structures
but not the ridiculous
creaking
insistences
you keep making of us

Only jeweled words
should escape our lips
Nothing that hisses
or snarls
And no wish we could make
is more worthy
than beauty

How curious!
How convenient!
According to you
beauty isn’t necessarily
accompanied by intellect
but intelligence may be provided
by a husband
The same husband
who might declare
a door forbidden
because it hides
his dead wives?

You would have us be
so still and quiet
never entering woods
opening doors
touching spindles
You would give us
fewer options
than you grant
a clever cat

It seems after all
ancients
and moderns
agree on some things

While engrossed
in your quarrel
here’s a thing you’ve overlooked

I
like so many of us
choose instead
to wear fancy shoes
of my choosing
and shape the world
to suit myself



Devan Barlow is the author of the Curses & Curtains series, and the collection Foolish Hopes and Spilled Entrails: Retellings. Find her short fiction and poetry in various anthologies and magazines. She reads voraciously, and is usually hanging out with her dog. devanbarlow.com, Bluesky @devanbarlow.bsky.social.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
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