Size / / /

You use

an instrument of tusk,

of yellow tooth,

imperfections filed

into ghost.

They are invisible, to most.

Your fingers know.

I know your fingers.

I know them in the salt-sea.

I know them, charcoal-smudged,

smelling of smoke.

I know them pulped by fruit,

still wet with sea,

the sweet and the sour.

With this object,

your spider-fingers take

from wires hidden

in a box.

You transform

a swell of notes.

The stars, a silence, a sudden

dive and then a thunderstorm

- and now I have forgotten

how to take my skin off

like a lady's dovegray glove

and put it back on

as purple as the stomach of a flea.

To run like a deer.

To hide like a hay stalk in a hay stack.

All I can do

is root,

and snarl, and feel my thoughts

tangle and cross, grow green leaves,

   edged like teeth

and dense with veins.

All I can do is snarl, tangled

heavily across this chair,

and cling to the wall.

At least I have thorns,

although I open wide, whiter than silk

and redder than thread.

Despite my head,

I blossom like fire from a match.

I forget

how to shed

this shape:

When you close the lid,

and take your fingers from the monster's teeth,

and come to pluck me,

scatter my petals

so that I will never grow again—

I hope you bleed.




Jessica P. Wick is a writer and freelance editor living in Rhode Island. She enjoys rambling through graveyards and writing by candlelight. Her poetry may be found scattered across the internet. Her novella “An Unkindness” is out June 2020 in A Sinister Quartet from Mythic Delirium. Other dark fiction may be found in Rigor Morbid: Lest Ye Become from Bronzeville Books.
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14 Jul 2025

This exhibition presents pieces from our permanent collection that are rarely displayed together, in order to illuminate the life of one of our most celebrated early rulers, Nizararuddin Zafer Abu Hassan Mohammed, better known as Prince Nizar.
There’s a ghost stuck up my nose. Has to be.
The faeries spied you with the peasant boy
One of the recent bright spots in the world of speculative short fiction publishing is the rebirth of Fantasy Magazine. Yes, Fantasy is back, published under the Psychopomp umbrella with co-editors Arley Sorg and Shingai Njeri Kagunda at the helm. (You can read more about how this all came about at Psychopomp and support the zine by signing up for a subscription.)  “Silence Starved and Swallowed” by Sydney Paige Guerrero from Fantasy 97, the first issue of Fantasy in this incarnation, is a devastating, darkly gleaming story about grief and sadness. Guerrero describes how our inability to put our emotions
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