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it howls
the beast black-backed and fanged
his language languishing
vanished
banished back to a growl
and I
the foul thing’s stink stuck slathered with slime
slick and soaked in it
grappling with grime
the crime: twelve winters’ murders
dozens dead
what’s another demise
so I
at beck and call
my godfather’s all and only hope
I rise
tick-tock to the time
across oceans’ roads past rows of ghosts
of hosts of demons that I’ve slain
a name I made by trading lives
till monstrous I became
and I
arrive alive again to try
my luck, my name
to gain more fame and fortune
apportion me my glory fee
and I will fight for thee
do I
now holding hard this monster’s hand
a man do I pretend to stand
a man who draws lines in the sand
a man and not a brand
but I
hear bone-shard and sinew crack
the black beast’s fangs full-fearing
back to bed in slayer’s surf
would run sore shrieking
seeking solace from that sound
but I
hold fast and last I grasp
clasp the struggling mass of stink
I think of a time gone by
where buying time was a time to come
and I
feel bending turned to rending
and defending turned to ending
and lending turned to spending
of a life lived giving all
and howl


Richard Ford Burley (they/he) is a writer of speculative fiction and poetry as well as Deputy Managing Editor of the journal Ledger. Their second novel, Displacement, was published in hardcover in February 2020 by Prospective Press and is now available in paperback. They post updates (occasionally) at richardfordburley.com, and they tweet (unceasingly) at @arreffbee.
Current Issue
15 Dec 2025

Strange Horizons
Strange Horizons will open to general fiction submissions on January 19th, 2026, at 3 p.m. UTC! This window will remain open for 48 hours, closing at 3 p.m. UTC on January 21st 2026.
My obsidian shadows knifed the moon, drank moonblood until my wandering mouth filled to bursting
In this endless dark winter / he comes as furious as / a lion’s claw
Now that I am back in our homelands, I am haunted. I dream of faces hovering over me, taking my blood. They suck at my veins like infants at a bottle.
Wednesday: The Deep Forest by Sofía Rhei, translated by Kendal Simmons 
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