Size / / /

Whether or not I believe in magic is surely beside the point
When I look down and find a quarter
Lying in the middle of the sidewalk
Just when I need to phone you.

It makes no difference, you see, and I refuse to be suckered in
To making up beliefs that explain that when I am thinking of you
There you come walking around the corner and humming
That same damn song I am thinking of right now.

I won't drum, nor will I light candles.
I am part of no coven. I have never been inside
A fortuneteller's tent.

I have never even seen
the inside
of a magician's hat.

 

Copyright © 2002 John Teehan

Reader Comments


John Teehan lives and writes in Providence, Rhode Island. He has recently sold stories which will appear in Men Writing SF as Women (Daw, 2003) and Low Port (Meisha Merlin, 2003). "The Literary Roots of Fantasy" appears in The Complete Guide to Writing Fantasy (Twilight Times, 2002) and he has sold poetry to the SFPA publication Star*Line. John publishes the fanzine Sleight of Hand and is the current Art Director/Production Manager for the SFWA Bulletin. For more about him, visit his website. John's previous publications in Strange Horizons can be found in our Archive.



Bio to come.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
Load More