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the Museum of Gray Matter consists entirely
of horsehair ladders & Malaysian body wave paneling,
herringbone floors with beaded parts rising
to kiss the meat of my heels. i tiptoe
through the domed exhibits, studying their dehydration.
blackened dandruff falls like ash, swivels, consecrates
the drylands in honor of a foreign god’s rite:
body, diffuse heat and coconut oil. wash out.
the sound my scalp makes when i comb my sideburns,
sometimes dismissive & others grieving.
the rearranging of dark & light into figures
we might know & call by name, rat-tails
weaving orange through a thicket of knotted curls,
appraising the graves where those headstones sit, parietal.
enclosed in this fist, a fallen braid unfurls
in bloom. would that it were a painting, a textbook
for a child who will one day bury itself.
something beautiful for it to make into science.
i passed Judas in one of the many halls,
watched him carry his father on his shoulders.
he told me this: “brown is the color
of my new flesh. brown is the color of all
self-respecting apostles.” & maybe

in a cleaner world i would have believed him,
but we stood like brothers on opposite sides
of the same fogged glass & spoke His name
in unitalicized whispers. he wanted to kill me,
& i did too, but i kept walking, am still walking.
in every doorway someone new is screaming
treat the church like your wife, so i repeat it
until i am martyred, writhing until riven,
until pulp, chewed & swallowed. my mirror-self
Lacans into a thousand tears; balder than
i was yesterday, & everyone knows it.
just look at yourself, he says. your hair is falling out.



Lyrik Courtney (ca. 1999) is a Floridian who sits at the cultural intersection of African-American and nonbinary gender. Their work has been featured in/is forthcoming in Ninth Letter, Blueshift Journal, and Liminality Magazine, as well as other places, but you can always find them tweeting at @lyrik_c.
Current Issue
12 May 2025

You saw her for the first time at your front door, like she wanted to sell you something or convert you. She had light hair and dark eyes, and she was wearing fatigues, which was the only way you knew that your panicked prayers of the last few minutes had not come true. “Don’t freak out,” she said. “I’m you. From—uh, let’s just say from the future. Can I come inside?”
Time will not return to you as it was.
The verdant hills they whispered of this man so apt to sin / chimney smoke was pure as mountain snow compared to him.
In this episode of Strange Horizons at 25, editor Kat Kourbeti talks to Naomi Kritzer about her non-linear writing journey, imagining positive futures, and how to deal with the world catching up to your near-future specfic.
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