Size / / /

                The captain in his cabin lay,
                a voice came to him and thus did say,
                "Prepare yourself and ship’s company,
                for tomorrow night you must lie with me."
                                                Traditional

The land is lost and all it held.
Never again will its name be spoken.
I opened my veins and pushed inside
gardens, graves, rocks, books,
first memories of light—but they spilled out of me,
all that I ruled once. The mountain roiled
like my gut, heaved lava
over carved stone and manuscript, and the seawind
blew the flower off the quince.

Oh, the quince. Shut up about the quince,
the last fucking seed you saved
behind your cheek, as in the avalanche
of fire and ash, our people
screamed and fell silent. You saved it and I
drew and drew on the power I held,
all of the structure in the world as I ran up the mountain—
—lovers, graves, blood, books—
cursing the ancestors who brought us here.
I pulled
on my might: the Royal House, the magic
of one, one, and two syllables,
most stable in the land,
benevolent and—fuck, I pulled
and pulled and pulled this structure out of me,
my marrow, my bone, my sinew, my gut,
all to hold my land in place.

Beneath the isles, underwave
where the Star of the Tides slept fitfully,
it stirred and strained, unbalancing the mountain,
unbalancing the world,
sifting
clouds of ash with smoke and thunder
where no structure in the world could hold it,
no ruler could devise
a defense to appease it—so I , I,  I—

I broke my mind. I broke the Royal House:
two syllables into one, seized the Warlord’s Triangle—
one, one, and one—the most dangerous, unstable
deepname configuration in the land,
the pinnacle of power, but it wasn’t about power.
Rage—
rage that my people were dying,
and you and your fucking gardens,
and I, powerless—
          you caught me as I fell,
           the seed behind your cheek, you caught me
               as I fell

Endeavor to ensoul the sea;
sailing from our home's ruin—later
will they say that we sang?
No—tossed by the storm,
we clenched our teeth
not looking at each other.
Survivors. Those lost trailed us as ghosts,
then one by one licked off by the wave—we hid
in our cheeks that last ash,
last sputter of home: seed and thread,
emerald and clumps of earth
into which we’ll never again sink our fingers—

           I stretched
my arms, and with all my might
that had failed and failed us again,
I made a structure out of the deep sea,
subdued the unconquerable wave,
stretched threads of light between my sailors
and they, too, joined me
until the sea was pacified.

           Why not before? Why not this gloriously before
           when we had no reason to hoard shards,
           our home still anchored in the slumbering star?

You do not answer.
Like the others, you keep silent,
your mouth already sprouting.




R.B. Lemberg (they/them) is a queer, bigender immigrant from Ukraine to the US. R.B. is an author of six books of speculative fiction and poetry, an academic, and a translator from Ukrainian and Russian. R.B.’s work has been shortlisted for the Le Guin Prize for Fiction, Nebula, Locus, Ignyte, Crawford, and other awards. Their latest novella Yoke of Stars (Tachyon, 2024) is a finalist for the 2025 World Fantasy Award. You can find R.B. on Bluesky at @rblemberg.bsky.social, Patreon at https://www.patreon.com/rblemberg, and at their website: rblemberg.net.
Current Issue
10 Nov 2025

We deposit the hip shards in the tin can my mother reserves for these incidents. It is a recycled red bean paste can. If you lean in and sniff, you can still smell the red bean paste. There is a larger tomato sauce can for larger bones. That can has been around longer and the tomato sauce smell has washed out. I have considered buying my mother a special bone bag, a medical-grade one lined with regrowth powder to speed up the regeneration process, but I know it would likely sit, unused, in the bottom drawer of her nightstand where she keeps all the gifts she receives and promptly forgets.
A cat prancing across the solar system / re-arranging
I reach out and feel the matte plastic clasp. I unlatch it, push open the lid and sit up, looking around.
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