Size / / /

Talk's not required to smooth this breach,

Only hard work. We don't dream any,

So don't bother wishing us pleasant sleep.

While you slumber, secure in your superiority,

We're working through the walls, our thoughts

Drills honed diamond-fine by delta waves,

Bank walls and identities alike defenseless.

We don't slaughter, though. We build. Destruction

And chaos are too coarse for our art.

While we forge lives, link chains, inspire

Neurons to fire in a sequence that names names,

You dream you see your long-buried grandfather,

That you become the hero of your favorite show,

Merged with the best friend you always dreamed

Of having. Miracles aren't dross: we

Rescue lost cats, find longed-for lovers, reunite

Dead and living, if only for the night.

We even generate income when we inspire

New novels, new mergers, new careers that won't go sour.

We'll tell you what you really think and feel,

Especially when you're not aware yourself.

Your energy after sleep's our living proof

Of elevated GNP and lasting worth.

What matter if IDs get swapped at birth?

It's better than burnout, wouldn't you agree?

And you're not talking to us anyway.




Adele Gardner (www.gardnercastle.com) has a story forthcoming in Analog, and 52 stories and over 350 poems in Strange Horizons, Deep Magic, Daily Science Fiction, Flash Fiction Online, PodCastle, and more. A full/active member of SFWA & HWA and a graduate of the Clarion West Writers Workshop, Adele's had ten poems win or place in the Poetry Society of Virginia Awards, Rhysling Award, and Balticon Poetry Contest. A former editor for The Mariners' Museum, this genderfluid night owl (none/any/they/Mx.) can be found reading comics with cats or shooting b&w film in the noir nightscape. Adele serves as literary executor for father, namesake, and mentor, Dr. Delbert R. Gardner.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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