Size / / /

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The word for our current collective is covey,
I think; we, even as two, are a grouping
of people, huddled in brambles of being before us—

Who? You may ask. Our call: Who-We, like
owls sounding like they are quite enjoying themselves.
Who-we: a you, a me, a you in past hopes,

a me in memory, a you of distance new when you
mention events I was not there for, now privy
to, the you of certain pasts, the me of now in your pasts.

That last I interact with like the boorish friend of a friend
at a party in my own house. The “plus one” of pasts.
We, plus me in the past. I search out collective nouns

for birds. We thought we might choose an altricial species.
Realigning, accepting avian instinct into our minds, lives,
is the why for scrimping on clothes and celebrations.

We collect enough for the elective surgery. Altricial, I think,
woodpeckers, herons, or owls, even. Whooo-whoo.
Our lives, but with the precision of birds.

We checked boxes for allopreening, allofeeding.
The online tests suggest Quaker Parrots. Collectively,
they are a prattle, a company, or a pandemonium.

There is no negotiation in a flock rising, no truisms, no advice,
such as never leave anger

between you, while you sleep. The company
literature offers no guarantee of shared purpose,
the technician joked something like that is
“the province of MMORPGs,” but this first morning, we are

cuddled in covers effortlessly and wake
in the same instance and rise into the morning
as one, and move into the kitchen for coffee,
ease into seats, and the coffeemaker’s timer’s work,
and we drink. There is a sound for this, that accompanies,
that means this, does not explain, means, and we will call it,
a catch in my throat, a knot, a gasp, wait, while I clear it, but you
do not wait or call and the coffee waits, and I will not speak,
words will be for work, for others. We will call, we will call, I gasp,
stretch my neck out

didyoudream didyoudream didyoudreamofme
didyoudream didyoudream didyoudreamofme



RMac Jones coedited the anthology Found Anew: Poetry and Prose Inspired by the South Caroliniana Library Digital Collections. His poems have appeared in NonBinary ReviewStar*LineUnlost JournalEye to the Telescope, and elsewhere.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
Issue 17 Mar 2025
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Podcast read by: Emmie Christie
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By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
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Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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