Size / / /

of the poor woodcutter hide

bundles in the elms' hollows.

White rosebush, red rosebush.

Shiny adze, spade, dug out

gold sepals but no blossoms.

of the poor cobbler quiet

against the workshop tongues,

kobolds at the milk. Stitch, stitch.

of the poor miller if you ask

kindly. Sublimes to gravid air.

Waking up slowly. Where

do I end and my apron begin?

Where are my sisters? We multiply

like mice, like grains of barley.

Who will sort us out? As a favor,

the ants.




Suzanne Fischer is a historian who lives in Detroit. Her work has appeared in Lady Churchill's Rosebud Wristlet, Spinning Jenny, and other venues.
Current Issue
12 May 2025

You saw her for the first time at your front door, like she wanted to sell you something or convert you. She had light hair and dark eyes, and she was wearing fatigues, which was the only way you knew that your panicked prayers of the last few minutes had not come true. “Don’t freak out,” she said. “I’m you. From—uh, let’s just say from the future. Can I come inside?”
Time will not return to you as it was.
The verdant hills they whispered of this man so apt to sin / chimney smoke was pure as mountain snow compared to him.
In this episode of Strange Horizons at 25, editor Kat Kourbeti talks to Naomi Kritzer about her non-linear writing journey, imagining positive futures, and how to deal with the world catching up to your near-future specfic.
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