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“Ave Maria” © 2022 by Palloma Barreto

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Ave Maria

I dreamt cobbled stone-steps drew me to a meadow with a pagoda. You were playing Ave Maria, bow drawn to the hazy sprout of light on the ground, toes stretched, chest encompassing time and space. Fields of bowed green gripped onto your feather wrist, and each breath was a swirl of wind that threaded my ombré strands and touched my sacrum. Singing, drinking, a squirrel spun deep blue circles over hills and collapsed next to a dandelion. A desire grew from your resolute back, I lifted from earth and called out your name. Your fingers knelt and leapt another octave, you stared at me through the haze, head dipping towards the field. I danced into your warm major chords and velvet vibrato, until I couldn’t separate you from music, and I from you.

 

 

 

 

the mezzanine

does not welcome you/i.

empty glasses frequent its outer rings,

and eagles, marsupials, eggs

that once lived are packed tightly

in a carpet of underground despair.

 

I once wrapped a child there for safekeeping,

never mind the express trucks

that take two days to deliver;

I wanted a safer way of living,

a home she could cry and curl into.

 

They sent me letters from that center,

crows cawing my name, pecking the seeds

nestled in my wrists,

their beaks unthreading scars

that unwrapped and dug,

entrenched in their desire

to flee.

 

I loved this child in the mezzanine,

but abroad, I loved her more;

at night, the glass steps are silent,

no words from men who leered in subway tunnels

no fathers dragging mothers up its bouncing stairs

no need to apologize, no need to forgive,

to be forgiven.

 

The last time I saw my child,

she was in a dance over the obsidian steps

in the entrance of the glass desert

her quantum veil hiccupping

before a pair of deep irises,

her slender ankles poised over the edge

 

when she asked me:

When will you/i be loved?

and i had nothing to say,

no words to respond with,

save a bird that plucked the jewels in my heart

and delivered her the ashes

of my creative fire.



Vivian (Xiao Wen) Li is a queer and neurodivergent 1.5-generation Chinese-Canadian immigrant writer, musician, and interdisciplinary artist. Her fiction/poetry have been published or are forthcoming in Strange Horizons, Uncanny, F&SF, Heartlines Spec, The Massachusetts Review, The New Quarterly, The Humber Literary Review, QWERTY, and The Fiddlehead, among others. The author of Someday I Promise, I'll Love You (845 Press) and a Banff Centre alumnus in poetry, she is the writer and director of three short films—including an award-winning video poem—that have premiered internationally in festivals. She was Longlisted for the 2024 CBC Short Story Prize, Shortlisted for the Vancouver City Poems Contest, a Finalist for The Kenyon Review Short Nonfiction Contest, a 2024 ScreenCraft TV Pilot Script Competition Semifinalist, and the winner in the short story category of the CWC Sustaining Shared Futures Writing Award. She was nominated by Heartlines Spec for Year's Best Canadian Fantasy and Science Fiction: Volume Two, and was most recently an editor for Augur. She has recently graduated with an MFA in Creative Writing at The University of British Columbia, and will be looking for a home for her debut experimental novel. She can be found sprinting from spiders and drinking bubble tea @vivianlicreates on Instagram, Bluesky, and Mastodon.
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