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This poem is part of our 2014 fund drive bonus issue! Read more about Strange Horizons' funding model, or donate, here.

The city does not love you as you wanted to be loved.

Don't be surprised.
These ways are inhuman ways:
no midnight phone calls,
no possessive hand curved on your waist
when you stood on the pier
and took the sea-wind full in the throat.
Nothing of the city is only and ever yours.

(You were there the night the last one went into the water.
Black windbreaker flaring unzipped, his face
a featurelessly distant smudge descending.
A man does not survive such poetry. You knew—)

But the lights are a garland on the river.
You are shakingly cold. This is a vision given to you,
a high-wire communiqué from some impenetrable and dancing god.
You spent a week
knees tucked under your chin,
the dawn sliding grey-gold
over the glass and the steel.
The machinery is inescapable.
A net of bridges has caught you up.

You could drown of luck.
Never anywhere but the right place:
the hissing iris of a subway door; the club's
bright and razored lacuna of your night.
Snow fell for ten minutes out of a clear sky.
I told you not to be surprised. It was the new year
and you were hardly human yourself,

ready to dive into the Hudson and come back
a bride-ring clutched between your perfect teeth.




Arkady Martine is the author of the Hugo Award-winning Teixcalaan series, the Hugo-nominated novella ROSE/HOUSE, a multitude of short stories, and various other science fiction, fantasy, & horror. She is also Dr. AnnaLinden Weller, who is a Byzantinist, a climate & energy policy analyst, and a city planner. Arkady grew up in New York City, and after some time in Turkey, Canada, Sweden, and Baltimore, lives in New Mexico with her wife, the author Vivian Shaw. She can be reached @byzantienne on Instagram or @byzantienne.bsky.social on Bluesky.
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In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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