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Engkantos are invisible to the sober, but there’s truth
in wine. When grandfather died, his dog vanished.
It persistently reappears just to howl by the gate.

My childhood best friend lives in our attic closet.
Nightly, from the inside, he halfway opens the cabinet
to throw the other end of a tin can telephone.

Anitos shared a home with us. After a white god,
we disowned and banished them into folktales.
What is disregarded fades. To spite, the faded stays.

A dead uncle shares my birthday. He tastes blood
from imaginary wounds in his mouth.
His black and white photos are my dead ringer.

We never cross the dotted pebbles by the garden;
beyond the line are duendes. Despite garlic,
the kitchen smells like a forest equinox in spring.

At eight, I stopped playing with the neighbor’s kids.
Same year. First wine. 2hrs non-stop laughing.
I was bantering with cold, humid air, they said.

We leave empty dining chairs for the family multo.
Since grandmother died, the gate remains undisturbed.
On his deathbed, my uncle promised to return.

After I moved out, our housekeeper would hear knocks
from the attic, followed by a voice calling out my name.
A closet creaking. A tin can rolling on the floor.



Mark Dimaisip is a Filipino writer from Manila. His works have appeared in The Brasilia Review, Cha, Human Parts, QLRS, Radon Journal, Strange Horizons and elsewhere. He was recognized by Oxford Brookes International Poetry Competition and has performed for poetry slams and literary festivals in Southeast Asia and Australia.
Current Issue
3 Aug 2026

I had a daughter and then I didn’t. I woke in the cradle of midnight, shivering from a supernatural cold. I thought at first that she was crying, that she had woken me, like so many midnights before. But there was silence all around me. I sat up on one arm and peered into her crib. She was gone. In her place was wrapped a sallow, horned little boy. His eyes blinked open. I look at him. He looked at me. Changeling, I thought. Then he started to scream. “Why weren’t the windows
The deads are punctual. They arrive exactly when there is nothing left to distract us.
survival is a fungus
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards.
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Podcast read by: Jenna Hanchey
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