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Water-sodden bole nodding along in the ruffled loch.

Thickened rasping of ivory,
Old men clothed in gray wool. Lore of a devil

Landlocked by a holy man, dragged back as if by cords
During those gloppy days described
In calligraphy on pages bound in red goat leather:

Preserved, saved
From cold and wet, from muck and decay:

The tepid seawater cooled upon the land.

Grandfather—your briny skin marbles there:
Some of the water stayed, some left. You stayed:

Called through gurgling recordings,
Smearing sand in a life
Unlike the other life. Diamond-shaped
Flipper pressing out of darkness
In the grainy underwater scenes.

A smell like rotted leaves, but not.

Our eyes interrogate all waters the world over,
For a gliding shadow: selkie, kelpie, serpent,

Whose great neck might rise,
Like the raising half-heart of a swan's neck,

And announce something old still about the earth.

 




D. Eric Parkison grew up in a town near Rochester, NY.  He received his MA in English at the University of Rochester, where he studied literature and poetry.  His poetry has appeared in American Chordata, Midwest Quarterly, and Zyzzyva, among others.  He is currently an MFA Candidate and Teaching Fellow at Boston University.
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13 Jul 2026

The guillotine was conceived as swifter, painless, more humane. You touch your throat. You wonder.
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In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Aimee Ogden's 'Because I Held His Name Like a Key' read by Jenna Hanchey. Subscribe to the Strange Horizons podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠
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