Size / / /

It means the headwaters of mass,

the treacly origins of inertia,
have been discovered. It explains

why rocks stubbornly refute
the argument of my toes; why galaxies
clump like moths around a dark flame;

how a whale floats in the sea dreamy
as a balloon, yet a small oyster
of a child clings heavy as a millstone.
Maybe it even explains why tragedy,

a metal and plastic bolide, hurtles
unstoppable through red lights;
how grief presses down on lungs
to squeeze out the last sweet breath;
why a black hole of absence hangs so heavy.

It has cost billions to build
god-sized synchrotrons aswim
with sticky-fingered particles,
and thousands of papers covered in black
specks of data like locusts
swarming on error-bar wings

to confirm what every family knows.




C. W. Johnson's poems have appeared in Asimov's, Stone Telling, Goblin Fruit, Star*Line, and non-genre magazines. His 2012 poem "Vigor Mortis" was nominated for a Rhysling Award. Johnson's fiction has been published in Analog, Asimov's, Interzone, The Other Half of the Sky, and elsewhere. He is a professor of physics specializing in theoretical nuclear physics, and his research articles appear in Physical Review C and elsewhere.
Current Issue
3 Aug 2026

I had a daughter and then I didn’t. I woke in the cradle of midnight, shivering from a supernatural cold. I thought at first that she was crying, that she had woken me, like so many midnights before. But there was silence all around me. I sat up on one arm and peered into her crib. She was gone. In her place was wrapped a sallow, horned little boy. His eyes blinked open. I look at him. He looked at me. Changeling, I thought. Then he started to scream. “Why weren’t the windows
The deads are punctual. They arrive exactly when there is nothing left to distract us.
survival is a fungus
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards.
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By: Aimee Ogden
Podcast read by: Jenna Hanchey
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