Romie Stott is the administrative editor and a poetry editor of Strange Horizons, and author of the horror novel Nothing in the Basement (Dybbuk Press, 2025). Romie's poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, and elsewhere. You can find her fairly complete bibliography here.

Outside of poetry, she is best known for her essays in The Toast and Atlas Obscura, and short stories in Analog and Tractor Beam. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. She is half of the electronica duo Stopwalk, and is the playwright behind the musicals "First, Contact" and The Lady Takes the Mic.