Erin Roberts is a writer of speculative fiction across formats: her short fiction has appeared in publications including Asimov’s Science Fiction, Clarkesworld, Podcastle, and The Dark; her interactive fiction has been published in Sub-Q Magazine, and her non-fiction essays and reviews have appeared on http://Tor.com and in Cascadia Subduction Zone, People of Colo(u)r Destroy Fantasy, and Strange Horizons, among others. Erin is a graduate of the Odyssey Writers Workshop, holds an MFA from the Stonecoast program at the University of Southern Maine, and has been the recipient of grants and awards from the Maryland State Arts Council, Arts and Humanities Council of Montgomery County, and the Speculative Literature Foundation. You can follow her on Twitter at @nirele and read more about her work at http://writingwonder.com.
In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
