It does not have a conventional linear narrative, but instead proceeds episodically, loops back almost to its starting-point, and finishes not on a revelation but a suspension.

Palaces of the Crow somehow manages to be both heartbreaking and heartwarming.

You can never go home again.

Worma is obviously interested in complex ideas. Of Beasts?, however, cannot contain them.

If you want a depiction of the near future told in a smart, believable, multi-modal fashion, Your Behavior delivers.

It is imperative to consider this project’s positionality within the wider theatre landscape in modern Britain.

The childhood that Butler depicts [in Adulthood Rites] can serve as a blueprint for how we might better love and respect trans children.[...] Like the resisters who think they are saving Akin by pulling things out of his mouth, or the Oankali who insist that the contradiction in humanity means allowing the resisters to reproduce would be a form of cruelty, when we place children on pre-determined paths and invalidate their own experiences of their bodies, minds, and even time itself, we cause substantial harm. To love trans children, we must understand their experiences on their terms...

The Convergence Saga as a whole grapples with existential questions for which even the gods don’t have answers.

What is a gaze but a form of possession?

What all of these futurisms and the work produced in them have in common is resistance.