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For the past ten years, the Strange Horizons Articles Department has been bringing readers interviews with some of the industry's top authors (Clive Barker, Terry Brooks, Jeff VanderMeer, Chuck Palahniuk, Takashi Ogawa and Christopher Barzak, Kelly Link, Daniel Wallace, Nnedi Okorafor) written by top contributors (Heather Shaw, Cheryl Morgan, Ursula K. LeGuin, Lucy A. Snyder, George R.R. Martin, Gavin J. Grant, Benjamin Rosenbaum and Aimee Bender, Lavie Tidar—the list goes on and on), as well as fascinating articles of popular science, history, and literary criticism ranging across the speculative fiction strata—so many that it would take another ten years to list them all.

We're proud of this tradition, and to celebrate SH's 10th anniversary this month we'll be reprinting some of our favorite pieces published over the past decade.

But that's not all we're doing to celebrate here in the Articles Department. Conspicuously absent from the type of work we ask for in the guidelines are pieces that might be called creative non-fiction. It's not that we're averse to experimental styles of writing. Heck, we're editors at Strange Horizons, one of the most genre-defying literary magazines in the market today. But here in Articles, we feared advertising for creative non-fiction might lead to an influx of hokey memoirs and strident spec fic punditry. Even so, we've been getting more and more well-written submissions that don't conform to our stated guidelines—such as musings on monster taxonomy and an interview with a (small) band of zombies (no, really, they're a rock band).

With this in mind, we announce that SH Articles will now be accepting submissions for creative and experimental non-fiction that engages the themes, genres, and concerns of speculative fiction. We are looking for intelligent, experimental pieces with critical content enhanced by personal experiences or reactions from the writer. Much like "new journalism" in the 60s and 70s, we want pieces that actively engage speculative fiction from the perspective of an insider and participant. We are not looking for memoirs or even pundit pieces, but pieces that are objective while still being personal and personable enough to open up dialogue with our readers, and illustrate how speculative fiction relates to the world. We also hope to publish interviews in this vein—interviews that transform the basic Q & A into an intimate encounter with the interviewee.

Having said that, the Articles editors would like to thank all the wonderful writers and readers who have made the past ten years at Strange Horizons engaging, stimulating, and constantly interesting, and we look forward to many more years of the same.

Three cheers for ten years,

S.J., Dave, Pam, and Jo




Bio coming soon.
Current Issue
3 Aug 2026

I had a daughter and then I didn’t. I woke in the cradle of midnight, shivering from a supernatural cold. I thought at first that she was crying, that she had woken me, like so many midnights before. But there was silence all around me. I sat up on one arm and peered into her crib. She was gone. In her place was wrapped a sallow, horned little boy. His eyes blinked open. I look at him. He looked at me. Changeling, I thought. Then he started to scream. “Why weren’t the windows
The deads are punctual. They arrive exactly when there is nothing left to distract us.
survival is a fungus
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards.
Issue 27 Jul 2026
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By: Aimee Ogden
Podcast read by: Jenna Hanchey
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Issue 22 Jun 2026
Issue 15 Jun 2026
Issue 14 Jun 2026
Issue 8 Jun 2026
Issue 1 Jun 2026
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