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In a recent tweet, L.D. Lewis pointed out the necessity "mentorship within the short SFF field, wherein the mastheads of existing publications avail themselves to consult with people trying to start a new outlet." We at Strange Horizons acknowledge the value of this, and would like to take up this invitation. With around twenty years of institutional memory to call upon, we hope we can be of some use.

Our several departments - Fiction, Poetry, Reviews, Art, and Articles - have all expressed their availability for conversations about our experiences so far. So, if you are starting - or intending to start - a new outlet, and have any questions for anyone at the Zine, in the first instance, please write to co-ordinating editor Gautam Bhatia (gautam.strangehorizons@gmail.com), or DM him on Twitter (@gautambhatia88). If the questions pertain to the general running of the Zine, Gautam will be more than happy to engage on these issues; and to the extent they fall within the bailiwick of any specific department, he will connect you to the relevant resource person.

We look forward to the conversations, and to paying it forward, and we thank L.D. Lewis for bringing this up.

G.B.



Gautam Bhatia is an Indian speculative fiction writer, and the co-ordinating editor of Strange Horizons. He is the author of the Ignyte Award-winning novel, The Sentence, which is forthcoming in early 2027 in the United States (Saga Press) and United Kingdom (Solaris) as The Fifth Inflection. He is also the author of the science fiction duology, The Wall (HarperCollins India, 2020) and The Horizon (HarperCollins India, 2021). Both novels featured on Locus Magazine's year-end recommended reading list, and The Wall was shortlisted for the Valley of Words Award for English-language fiction. His short stories have appeared in The Gollancz Book of South Asian Science Fiction and LiveMint magazine. He is based in New Delhi, India.
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12 Oct 2026

The way her eye wells / when she remembers she’s about to grieve gravity.
He had a second life, one spent in the river in laughter and play.
Because standing in the doorway, you get the sense that something is already standing there with you
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