Size / / /

For the duration of the month of March, the poetry department is temporarily closing to new submissions. The submission portal will reopen on April 1. If you’ve been sending us poetry for many years, you already know it’s ordinary for us to take a month off every year or two, often in December, so we can get caught up on a backlog or focus on another project or have a vacation. This is that.

It’s usually something we note on our poetry submissions guidelines page, and maybe in a tweet, but given the unexpected submissions closure at Clarkesworld this week (read more in this detailed post by Clarkesworld editor Neil Clarkeand since it falls on the same day our Wuxia/Xianxia special issue ends its limited submissions window and since we’re reopening on April Fools’ Day, it seemed prudent to say explicitly that it’s a coincidence and not a pattern.

So far, Strange Horizons has not seen any big spikes in chatbot-generated submissions. It’s also true that in the time period discussed in Neil’s post, we have not been open to general fiction submissions; we’ve been looking at poetry and at a limited-demographic submissions call. (We do sometimes publish poems that use automation or prediction or collage or statistical noise, which is a longstanding tradition in poetry going back at least as far as Dada. We are less interested in predictive-text essays or short stories.) We’re keeping an eye on it and will let you know if our experience changes.



Romie Stott is the administrative editor and a poetry editor of Strange Horizons, and author of the horror novel Nothing in the Basement (Dybbuk Press, 2025). Romie's poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, and elsewhere. You can find her fairly complete bibliography here. Outside of poetry, she is best known for her essays in The Toast and Atlas Obscura, and short stories in Analog and Tractor Beam. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. She is half of the electronica duo Stopwalk, and is the playwright behind the musicals "First, Contact" and The Lady Takes the Mic.
Current Issue
11 May 2026

If only Serthe'P had been able to fit in, maybe she could have protected —. No. This thought was dangerous. Mnth’R had helped her understand that their isolation had more to do with the Raja’s exploitation of their cast’s fears than any shortcomings of theirs, his Manifest Sight propaganda curdling climate anxieties into prejudice against community members. Serthe’P needed to remember that their lives mattered too much to be reduced by a tyrant’s ideology. Separated from the cast, they were still finding ways to take care of each other.
Siberia our first home / wild and remote–safe / but Alexei wanted more / theatre–dances–rich men
Change requires examination of the initial errors
Issue 4 May 2026
Issue 20 Apr 2026
By: Athar Fikry
Podcast read by: Emmie Christie
Issue 13 Apr 2026
Issue 6 Apr 2026
Issue 30 Mar 2026
Issue 23 Mar 2026
Issue 16 Mar 2026
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
Load More