You can never go home again.

Worma is obviously interested in complex ideas. Of Beasts?, however, cannot contain them.

If you want a depiction of the near future told in a smart, believable, multi-modal fashion, Your Behavior delivers.

It is imperative to consider this project’s positionality within the wider theatre landscape in modern Britain.

The Convergence Saga as a whole grapples with existential questions for which even the gods don’t have answers.

What is a gaze but a form of possession?

What all of these futurisms and the work produced in them have in common is resistance.

May We Feed The King may be misread; but in the open spaces where that opportunity lives there is more space for joy and wonder.

This novel cues us to distrust metaphor.

When asked in a 2012 interview how he feels about being called a “writer’s writer,” M. John Harrison “describes the ‘practice crag’ found in almost every Peak District town or village”:  “It may not be much higher than this room,” he says, “but … there will always be some last great problem that nobody’s solved. The guy who will solve it may not be the best climber in Britain, but the best climber in Britain will turn up one day in the summer to watch the local guy who can do it. And I always wanted to be that local guy, as a writer.”