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Direct link: June poetry (MP3)

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the May issues.

  • “Jupiter of Jupiter" by Lora Gray, read by Lora Gray. You can read the full text of the poem and more about Lora here.
  • “The Poem Gardens of The Ascari" by Rohinton Daruwala, read by Rohinton Daruwala. You can read the full text of the poem and more about Rohinton here.
  • “A Gathering of Baba Yagas" by Laura Madeleine Wiseman & Andrea Blythe, read by Romie Stott. You can read the full text of the poem and more about Wiseman & Blythe here.
  • “I Am Not Buffalo Bill" by Evelyn Deshane, read by Ciro Faienza. You can read the full text of the poem and more about Evelyn here.



Andrea Blythe lives in Los Gatos, California, where she writes poetry and fiction. Her poetry has appeared in several publications, including Chiaroscuro (ChiZine), Perigee, Bear Creek Haiku, and Chinquapin. If you would like to learn more, you can visit her webpage: www.andreablythe.com. You can also see her previous work in our archives.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Eve Morton is a writer living in Ontario, Canada. She teaches university and college classes on media studies, academic writing, and genre literature, among other topics. She likes forensic science through the simplified lens of TV, and philosophy through the cinematic lens of Richard Linklater. Find more information on authormorton.wordpress.com.
Laura Madeline Wiseman's debut book of poetry is Sprung (San Francisco Bay Press). She is also the author of six chapbooks, including 2012's Unclose the Door. She is the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press). She has a doctorate from the University of Nebraska-Lincoln, where she teaches creative writing. Stranger Still, a new anthology of her alien-themed poems, will be available in October 2013, and can be pre-ordered through Finishing Line Press.
Lora Gray (they/them), is a non-binary speculative fiction writer and poet from Northeast Ohio who has been published in various anthologies and magazines, including Uncanny Magazine, F&SF, and Asimov’s. Lora is also a graduate of Clarion West and a recipient of the Ohio Arts Council’s Individual Excellence Award in Fiction Writing, and has been nominated for The Pushcart Prize and the Rhysling Award. You can find Lora online at lora-gray.com.
Rohinton Daruwala lives and works in Pune, India. He tweets as @wordbandar and blogs at https://wordbandar.wordpress.com/. His first collection of poems is The Sand Libraries of Timbuktu (Speaking Tiger 2016). His work has previously appeared in Strange Horizons, New Myths, Star*Line, Liminality, Through the Gate, and Silver Blade.
Romie Stott is the administrative editor and a poetry editor of Strange Horizons, and author of the horror novel Nothing in the Basement (Dybbuk Press, 2025). Romie's poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, and elsewhere. You can find her fairly complete bibliography here. Outside of poetry, she is best known for her essays in The Toast and Atlas Obscura, and short stories in Analog and Tractor Beam. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. She is half of the electronica duo Stopwalk, and is the playwright behind the musicals "First, Contact" and The Lady Takes the Mic.
Current Issue
11 May 2026

If only Serthe'P had been able to fit in, maybe she could have protected —. No. This thought was dangerous. Mnth’R had helped her understand that their isolation had more to do with the Raja’s exploitation of their cast’s fears than any shortcomings of theirs, his Manifest Sight propaganda curdling climate anxieties into prejudice against community members. Serthe’P needed to remember that their lives mattered too much to be reduced by a tyrant’s ideology. Separated from the cast, they were still finding ways to take care of each other.
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2 Mar 2026
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Issue 2 Mar 2026
Strange Horizons
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