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In this special issue of the Strange Horizons poetry podcast, editor Ciro Faienza presents Oak Morse’s “Hula Hoops” and Michael Díaz Feito’s “Cagastrophe in Steerage”, each with readings by the poets themselves.



Oak Morse is a poet, speaker, and teacher who has traveled across the Southeast as a performance poet as well as a teacher of literary poetry. He has a Bachelor of Journalism from Georgia State University. He is the winner of the 2017 Magpie Award for Poetry for the poem “Garbage Disposal” in Issue 16 of Pulp Literature. Other work of his has appeared in the UndergroundPage and Spine, Fourth & Sycamore, DrylandUniversity of Canberra, and Patch. Oak currently lives in Houston, Texas, where he works on his poetry collection titled When the Tongue Goes Bad, a themed set of work aimed to bring attention to a contemporary speech disorder diagnosis known as “cluttering,” a diagnosis which Oak has worked tirelessly to overcome. You can find more of his work at www.oakmorse.com.
Michael Díaz Feito is a Cuban-American writer from Miami, Florida. His recent work has appeared or is forthcoming in Big Echo: Critical SFDanse Macabre du Jour, and FIVE:2:ONE. You can find more of Michael's writing at michaeldiazfeito.com and follow him on Twitter @diazmikediaz.
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Tempered And Spiced: A Recipe for Mythic Fiction 
I have been told over and over that no one would be interested in what I have to say, that I am the “wrong kind” of minority to count. That my ancestors’ tales of enchantment and wonder—and so, mine—are irrelevant. Yet I know better, and I refuse to listen to anyone except the little girl inside me, the one who needed to see herself and share her magic, to know she belonged and that her brown skin was as beautiful as her Sanskrit name. Who believes that myths and mythic fiction are meant for, and reflect, all of us.
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