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The truth of it pools in my mouth,
soft wet pulp: I am not enough.
It is a lacking well-worn, kneaded
into folds of failing flesh.
Talent skipped a note in me, played
the makings of a masterpiece off-key.
Delusions of grandeur, diluted over time,
misshapen by rhyme—I am a wreck—
I am inferior—I am failure—failure—
faithless—burn these walls to the ground.

Here, scrawled in the ashes of who
I might have been—could have been—
was never going to be, goddamn it—

I am not enough. We sit shiva for those
we’ve lost. So say a prayer and sit for me.



Emily Ruth Verona is the author of the novel Midnight on Beacon Street, published by Harper Perennial in 2024. She is a Pinch Literary Award winner, a Bram Stoker Awards® nominee, and a Rhysling Award Finalist, with work featured in magazines and anthologies that include Under Her Eye, Under Her Skin, Mystery Tribune, The Ghastling, Coffin Bell, Rust & Moth, The Jewish Book of Horror, and Nightmare Magazine. She lives in New Jersey with a small dog. For more visit www.emilyruthverona.com.
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5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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