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On a hill over the sea
two hundred steps above the earth,
I build my nest in the crook
of an old jack pine.
Willow, oak, linden, cypress:
a base to give in the wind, shore
against the tempest of those below.

Magpie enough for silvered toffee wrappers
nestled like distant stars in the crux
of feathers and bone.

Pages torn from a bard's folio
diminished by the rub of time and water.
Raven's tail feather, plucked
to paint shade over the shock of the world.

Layers of paper, spines of fallen wood, salt
flowers on powdered feathers making vellum
of air's instrument.

My nest has grown too heavy.
Time has weakened Jack's heart.
The wind clasps him close; he leans
too far in her arms.

My eyes grow tired of this shore. The air—
too much broom, apple, and dust.
I will abandon this strata bed,
craft another on an unfamiliar shore
where an architect may sleep
in a strange tale's branches.




According to family, Sharon began singing and telling stories before she could write them down. If it were possible to subsist on tea, music, and language—she would.
Current Issue
5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
Friday: The Stars my Destination by Alfred Bester 
Issue 28 Sep 2026
Issue 21 Sep 2026
Wednesday: Khauf 
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