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here between the wires
we unlocked the materials for starshine & clay
figured out how to code our way into existence.

God does not exit stage left,
behind a cool red curtain &
there are no thrones whose location we can’t find.

nothing is hidden;
everything is a sound that echoes
everything is a purpose.

and nothing here exists to die.
everything Created is immortal
pixelations of human desire.

even us.

we created blueprints of better living
on the jagged edges of Mars
before Mars knew who she was.

before Mars knew this liquid was water
we stored our hopes beneath her
& a swirling red eye.

who are you,” she never asked.
what will you become,” she never cared
& how wonderful, to be unseen.

what is blacker than space
how it wishes to love you with treasures
but can’t help boiling your blood

how it captivates the human eye
a territory of the unknown
implemented into every aspect of pop culture.

if a body appears within space
& the waves don’t travel to hear them scream
did they ever suffer at all?

space, how she embodies us.
didn’t it make sense to imagine her
as our home?

we placed ourselves into being
where hostility was assumed
because God, haven’t we had practice?

they rescinded our invitation to the afterlife
after marking us damned within life
and we dreamt on.

they robbed us out of land
& gave us an identity ever-shifting
and we dreamt on.

they figured out we had wanted Mars;
must have left the prints out where they could see
& spoken a little too loud on moon-shine whispers

and suddenly, man goes to the moon.
man colonizes Mars.
and we dream on.

here between the wires
we figured how to live without access
& thrive with only each other.

we figured how the human body
survives away from food & water &
maybe it just proves we were never human at all.

here between the wires
everything that was & was ever to be?
it was ours.

but i have seen on bridges
the sign of decay.
how even starshine has lost its magic.

this time we can build armies,
but don’t you see how the cameras
flash in warning of tomorrow?

we are becoming Named again
& doesn’t it feel like a familiar burden
doesn’t it feel like a charge?

we worked so hard.
but it was our first rule
in whatever format we had staked.

don’t get attached.
don’t get attached.
it’s time to log out.



Vanessa Taylor is a writer and organizer based in Minneapolis, Minnesota. She is interested in using a multi-disciplinary approach to social justice, from on-the-ground activism to finding accessible ways to educate community, with writing as a way to make sense of it all. Her work focuses on exploring Black womanhood and Muslim identity.
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2 Mar 2026

Strange Horizons
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Once I’ve finished writing, I will fold this letter up and tuck it into the Tristram you kindly loaned me (may it be our Galeotto … ). I’ll knock on your door, at which point I will most likely encounter a puzzled maidservant, who will ask who in the world I am, and I will explain that I am returning a book you were kind enough to bestow on me (generous creature that you are and clearly down-on-their-luck weatherworn would-be poet that I am).
the trees were softening, their bark for the hungry to scrape and scrape and spread it on whatever bread they could beg or bake
i must warn you before all else / before you poke and prod
Paul Kincaid and Dawn Macdonald join Dan Hartland to discuss style.
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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Spec Fic and the Politics of Identity 
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