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dolorous, again unmoored, I gravity sling
around sol tethered spheres, captivated
by that sort of atomic codependence.

the Fortunate Isles still light years away,
I come across a capsized destroyer
floating listlessly on its sapping side.

the debris that surrounds its torn-open hull
tells tale of Punic faith. I wonder,
did Helen or Jezebel or Mami Wata

run you aground?

docking, I sequence life out of the paralyzed readouts,
snatching the quantum code from Abraham’s bosom
that gave Lazarus back his breath.

mending, weaving, rewiring,
I singe neuroepithelium after neuroepithelium
’til I run out of clone serum and turn to raiding

the dead for spare parts.

her oars dipped in stardust anew, vertical axis stabilized,
I unfold our faults and christen her res publica
silence, after all, is waived upon a concordat’s breach.

roaring engines now my battle hymn,
booming canons my glimmering brand,
I launch a weighted campaign and declare myself

Kandake, defying the druidic priests

that wiped me from belief.
where is there an Arcady anyway
that would willingly berth me?



Wamuhu (which translates to "born of ashes" or "from the ashes") is a first-generation Kenyan-American musician, poet, aspiring novelist, and U.S. Army Reserves veteran. She was raised in the City of Moore Haven, a rural township in the heart of Florida’s cane country. Creative expression through art of all forms helped her fill the empty, wide-open spaces of her childhood and remains a euphoric passion when inspiration hits, a misery when it does not, and her most daunting exercise when it comes to bravery and self-actualization. You can find more of her work online at https://ashthepoet.com/.
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13 Jul 2026

The guillotine was conceived as swifter, painless, more humane. You touch your throat. You wonder.
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In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Aimee Ogden's 'Because I Held His Name Like a Key' read by Jenna Hanchey. Subscribe to the Strange Horizons podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠
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