Size / / /

These ink stains—dark as old blood—
well in each curve, fill groove and whorl,
carve stark patterns against my skin.

Words flood from these fresh wounds:
I’ve made them myself, kept scores
in sensitive flesh. Let me ask you,

what choice did I have?

Later, syntax clogged and clotted,
wrecked my clean lines, pulsed
on the page distinct as inkblots.
My Rorschach. Let me ask you,

what choice do you see?

(Bat or butterfly?
Chalice or staff?
The woman in
the wallpaper?)

Sin and salvation.

(In words and in blood
there is both.)




Stacie lives in Mobile, Alabama with her dog. She has a BA in English and will begin a master's in library sciences this fall. This is her first publication.
Current Issue
5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
Friday: The Stars my Destination by Alfred Bester 
Issue 28 Sep 2026
Issue 21 Sep 2026
Wednesday: Khauf 
,
Issue 14 Sep 2026
Strange Horizons
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