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Direct link: Poetry (mp3)

This week's podcast features the poetry from the February issues of Strange Horizons. The first poem is "Tadi" by Alex Dally MacFarlane. Second, "Lost" by Amal El-Mohtar. Third, "Jael" by Nancy Hightower. Finally, "The Haunting of Delphi" by Darja Malcolm-Clarke.




Alex Dally MacFarlane is a writer, editor, and historian. Other historical stories can be read in the anthologies Steam-Powered 2: More Lesbian Steampunk Stories, Missing Links and Secret Histories, and Zombies: Shambling through the Ages. She is currently editing The Mammoth Book of SF Stories by Women, out late 2014.

Where it is not stated, translations from Ancient Greek are by Sonya Taaffe and translations from Arabic are by Sofia Samatar, used with their permissions, for which the author is deeply grateful.
Amal El-Mohtar is the Nebula-nominated author of The Honey Month, a collection of poetry and very short fiction written to the taste of twenty-eight different kinds of honey. She has thrice won the Rhysling Award for Best Short Poem and once received the 2012 Richard Jeffries Society Poetry Prize. Her short fiction has appeared in multiple venues online and in print, including Apex, Strange Horizons, Lackington's, and the special "Women Destroy Science Fiction" issue of Lightspeed magazine. She also edits Goblin Fruit, a web quarterly dedicated to fantastical poetry, with Caitlyn A. Paxson. She reviews books for Lightspeed and short fiction for Tor.com. Find her online at amalelmohtar.com or on Twitter @tithenai.
Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Darja Malcolm-Clarke's work has appeared in Mythic Delirium, Dreams and Nightmares, Fantasy Magazine, Clarkesworld Magazine, and elsewhere; her critical work has appeared in the Journal of the Fantastic in the ArtsStrange Horizons, and The New Weird.  She holds master's degrees in Folklore and in English, is an editor at a university press, and is currently revising a novel. She lives in Bloomington, Indiana where there are many thunderstorms, which suits her just fine.
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Nancy Hightower lectures on the rhetorics of the grotesque and fantastic in art, film, and literature. She is an art columnist for Weird Fiction Review and has had work published in Word Riot, Prick of the Spindle, storySouth, and Bourbon Penn, among others.
Current Issue
3 Aug 2026

I had a daughter and then I didn’t. I woke in the cradle of midnight, shivering from a supernatural cold. I thought at first that she was crying, that she had woken me, like so many midnights before. But there was silence all around me. I sat up on one arm and peered into her crib. She was gone. In her place was wrapped a sallow, horned little boy. His eyes blinked open. I look at him. He looked at me. Changeling, I thought. Then he started to scream. “Why weren’t the windows
The deads are punctual. They arrive exactly when there is nothing left to distract us.
survival is a fungus
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards.
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