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The radio says today is the birthday of Jasper Johns,
born in Augusta, Georgia in 1930.
He was famous for paintings of flags and maps.
Who cares says my daughter,
I don’t know.
I writhe in bed with fever, chills,
chatters and shivers.
The near becomes far as the far comes close.
It is an auspicious day for Jasper in the past century,
but this century illness booked my day.
A daughter who usually doesn’t care
talks at bedside without pause.
Something is different.
Never go hunting on an empty stomach, says my daughter.
I stare at the cap backwards on her head.
We are diverted by the cat hacking up a hairball.
How hard, my daughter asks,
would it be to paint a flag, anyway.
I’m mean, it’s just a picture of a symbol of something else.
What pretentious bad taste to push that.
Then we listen to a history program.
Napoleon leads 500,000 soldiers into Russia
all the way to Moscow, which the Russians burn.
The soldiers try to leave as winter comes.
Only 20,000 return to France.
Damn, I miss the summers.
My daughter wants to decorate my plain room
with quaint rock star posters,
then as a rejected stage set from Star Trek.
She is angry about Napoleon’s army,
angry with the bare wall.
She twists her cap back.
Put a map on the wall, I say.
Put flags where my life ventured once,
symbols of whatever those events mean,
before it leaves this tiny country.



J. Alan Nelson has poetry and stories published or forthcoming in numerous journals, including New York Quarterly, Main Street Rag, The Texas Observer, and Whale Road Review. He was the lead in the viral video “Does This Cake Make Me Look Gay?” and was “Silent Al” in the Emmy-winning “SXSWestworld.”
Current Issue
18 May 2026

Maybe we overestimated ourselves, I thought, watching the ferries hum against the wine-dark sea. Even if we floated above it, we were still bound to the ocean, engulfed in all its weight and inescapable history. To believe otherwise was a kind of hubris. But we had believed otherwise anyway, and so each of us had become something smaller, less human, suspended in a brittle net of want and memory. And then she appeared. At the wrong time, in the wrong place. My Scylla, my monstress, my deathless siren of anglerfish light. Longing, in that empty, unmoving ocean, for things that had not existed for centuries. How could anyone blame her? The only alternative was to grieve. 
My grandmother slit my father’s bones and let them fly with yeast.
the nightingale was caught in a net / and brought to a lab for further study.
Friday: The Midnight Shift by Cheon Seon-Ran, translated by Gene Png 
Issue 11 May 2026
Issue 4 May 2026
Issue 20 Apr 2026
By: Athar Fikry
Podcast read by: Emmie Christie
Issue 13 Apr 2026
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Issue 30 Mar 2026
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Issue 16 Mar 2026
Issue 9 Mar 2026
By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
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