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i need to rest under a cork oak, or a beech tree
to sit among the ferns
watching the pink bursts of the cyclamens
and the boars, hungry for their round, fat roots.

i need lichen
to paint my exoskeleton in bursts of blue and yellow.
cyanobacteria tattoos
feathering my metal skin, and the
moss
so much of it, quilted blanket with a rhizome pattern.

so i won’t need to learn to sew like my mother
even though i’d love to
there’s never enough time
to learn, to envision
to make things.

transhumanism isn’t here yet
(how could it be?
we don’t even have the time to see
algorithms cannibalize our art
with parasite teeth)
and i need to write down my body
because no hrt will harden me into metal
no transition will encrust me in lichen
or give me holographic moth wings that
shine like chalk drawings.

for that,
i’d need to wait a few centuries
maybe.
(if the oil and the blood-smeared cobalt and the emissions
don’t kill my cork oaks, my beech trees
my fragile cyanobacteria)
cyclamens used to be my grandmother’s favorites.
i used to think i just wanted cat ears, and a tail
ram horns to be fancy
and that was my body beside the body i have.
i still love the cat ears
and the tail and the horns
(my grandmother probably keeps cyclamens in heaven
roots growing among the clouds)
but now i just want to be an old relic
at rest, after everything’s done.



Wren is an SFF author from Italy, where they live with their devilish cats and one sprightly old dog. Their work has been featured in the 2023 Lambda finalist anthology XENOCULTIVARS: Stories of Queer Growth, among other venues. They’re @awritingwren across socials.
Current Issue
3 Aug 2026

I had a daughter and then I didn’t. I woke in the cradle of midnight, shivering from a supernatural cold. I thought at first that she was crying, that she had woken me, like so many midnights before. But there was silence all around me. I sat up on one arm and peered into her crib. She was gone. In her place was wrapped a sallow, horned little boy. His eyes blinked open. I look at him. He looked at me. Changeling, I thought. Then he started to scream. “Why weren’t the windows
The deads are punctual. They arrive exactly when there is nothing left to distract us.
survival is a fungus
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards.
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By: Aimee Ogden
Podcast read by: Jenna Hanchey
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Issue 14 Jun 2026
Issue 8 Jun 2026
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