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My memories are hollowed out
a cloth kept in a moth-filled closet
disintegrating at the barest brush of light:
the pulsating pupae breaking out.
At five I discovered
a swimming pool for drowning on the weekends.
Women’s murders unsolved on television channels.
Bathroom lights dancing to the beat of the ground,
tequila, salt, lime on endless loop.
Turning a losing twenty-one
the impersonal email announcing my grandmother’s passing
no invitation to a funeral, that or any others.
Alienation: separation, ache,
a badly set bone that stings with the changing weather.



Tania Chen is a Chinese-Mexican queer writer. Their work was selected for Brave New Weird Anthology by Tenebrous Press, and has also appeared in various other places. They are a graduate of the Clarion West Novella Bootcamp workshop of 2021, Clarion West Workshop 2023, and a recipient of the HWA’s Dark Poetry Scholarship. Currently, they are assistant editor at Uncanny Magazine and can be found on Twitter @archistratego, at bluesky@archistratego and their website https://chentania.wordpress.com/
Current Issue
5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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