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The first time that morning, your face stole
from rasps lanterned: chariot of sun

racing gold in the glare of rays, shaking
patterns meant for your wing-tipped hull. Here,

the slept lion in my peer through forest's wrench
when woken. Your men slick with spear grease

and battle have mangled my wounds; bouquet to bruise.
So much for a lover’s touch in dropped shards

of rain, so much for laughter at a lorikeet’s prattle
when tender struck vulpine on skin. For you, the hiss

of curves. I stood there under your shadow. Proud
with breaths clinched of mist. For you, the whiting swan

of heart, ever pure. Never tell I must inveigle if I am to procure
only woes, only brutes of my own; for the seraph
that I was before rabid; trapped with fangs feisty.
Once I loved past fathoms, past feral.

Once and for all, you had me damned darkling, childless—
bedtimed like the forever stiffness of a corpse.



Rushda Rafeek serves as a Fiction Editor for The Missing Slate magazine.  Her works have appeared / are forthcoming in Yellow Chair Review, Visual Verse, Through the Gate, and Noble/Gas Quarterly, among others.  She is currently based in Sri Lanka.
Current Issue
5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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