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All winter the bears have been coming down
from the higher forest.
We watch from the porch lit by kerosene.
They nose at trash, at frost-bitten pumpkins,
then vanish into pines.
One stood upright last night,
sniffing the smoke from our chimney,
I could have called the forest guard,
and they’d scold me for feeding it.
But I remember how he looked –
thin and confused and like
my grandfather begging for warmth
the winter he died by the stove.

By morning, the news speaks of another cold wave.

The water’s off again.
I fill a pot from snow,
and sit by the small lamp, peeling an apple.

A pigeon perches outside my kitchen window.
The white ring on its neck - yes, that scar,
the same one my brother had from shrapnel.
I bring bread to the window; it ignores it.
Tilts its head and knocks the beak twice
against the sill.

The deads are punctual.
They arrive exactly
when there is nothing left
to distract us.

In our wind-furrowed,
stone-quiet village, the old ones say —
Spring is for the impossible green; the birth.
Summer is for ripening, and the quarrels of the living.
Autumn is that yellow bruise before darkness.
And winter is when they all come back home.

 

 

[Editor’s Note: Publication of this poem was made possible by a gift from Abigail Boyle Smith during our annual fundraiser.]



Heera Kumar is a writer and poet whose work maps the Indian landscape onto the visceral mechanics of memory, family, and survival. He blends realism with the slipstream to uncover the mythic within the mundane. "Indigo" is his first publication with Strange Horizons.
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10 Aug 2026

the sleeping are so hard to distinguish / from the dead
We'd only lived in Arizona four years—it was our retirement place. But I'd died there, and she'd dumped my ashes out in the desert without fanfare, without any poem or prayer, unless you considered, “Jesus, Marty, don't leave me. Why'd you leave me, you old bastard" to be an elegy.
Nature, desecrated, refused to yield more than bone
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