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Your scars form marks
along your torso, cut right under the
left nipple and over towards your right.
At night, you dream that your mother
still calls you your daughter, and not the son
she denies she has. I wake with you inside
my arms, dry the bed sheets
of tears and make you tea.

We count the leaves. Read them like our
grandmothers used to: A broom and a pair of dice
inside your chamomile. And in mine? A ladder
reaching from your past in kitten shoes
and mini-skirts towards the future
in tuxedos and bow ties for our wedding.

You smile & we go back to sleep. In the dark
my hands find your scars and I whisper your name
(Jacob, Jacob, Jacob)
until morning comes again.



Eve Morton is a writer living in Ontario, Canada. She teaches university and college classes on media studies, academic writing, and genre literature, among other topics. She likes forensic science through the simplified lens of TV, and philosophy through the cinematic lens of Richard Linklater. Find more information on authormorton.wordpress.com.
Current Issue
12 Jan 2026

Despite the barriers between different cetacean languages, our song crosses the vastness of the oceans, traveling in sync with the currents and even traversing great expanses of land. Our singing conveys the concept of “hope,” which is how we define the wait until our home feels safe again.
When you falter, recall that age is not your master
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When Le Guin talks about genre writers as “the realists of a larger reality” we surrender the power of that when we narrow our work to only depict one type of future. We have great power to restore alternate narratives, to re-broaden the range of imaginable futures.
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Podcast read by: Arden Fitzroy
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