Size / / /

Time has stopped in the children's section;

it is 2:25 and 37 seconds.

One shy girl is getting on the Tinkerbell bus,

though her pinned-on tag shows a laminated Goofy.

Nap-time mats and jumbo crayons

are all safe in their cubby holes.

Time has stopped and the children have decided

to not get taller than the Peter Pan painted shelves,

or outgrow the miniature plastic chairs and rockers.

The girl with dark hair doesn't put down

her Choose Your Own Adventure book

to replace it with Cosmopolitan.

The blond boy in jeans doesn't lust

hopelessly over cars and women.

Encyclopedia Brown, the Hardy Boys, and Ranger Rick

remain his best friends.

Parents, growing older, unrecognizable,

beg for them to come out, to play football

for them, to win beauty contests,

so they can cheer and brag.

The parents say over and over: The clock's broken,

and hope they are right.

The children press hands tightly against ears

and hum real loud, like they learned to do

in really scary movies,

until the big people finally go away,

back to the adult section's dumpster window view.

In the children's section, they somehow know

that time doesn't give bribes for free.

Even though there will be no more Christmases,

no more birthdays, no more Saturday mornings,

only dog-eared pages will ever wrinkle.




Holly Elliott lives in Tallahassee and received her Doctorate in Creative Writing from Florida State University where she is currently teaching courses in poetry as well as American, Contemporary, and Women's Literature as a Visiting Instructor. You can contact her by email at hmelliott@earthlink.net.
Current Issue
11 May 2026

If only Serthe'P had been able to fit in, maybe she could have protected —. No. This thought was dangerous. Mnth’R had helped her understand that their isolation had more to do with the Raja’s exploitation of their cast’s fears than any shortcomings of theirs, his Manifest Sight propaganda curdling climate anxieties into prejudice against community members. Serthe’P needed to remember that their lives mattered too much to be reduced by a tyrant’s ideology. Separated from the cast, they were still finding ways to take care of each other.
Siberia our first home / wild and remote–safe / but Alexei wanted more / theatre–dances–rich men
Change requires examination of the initial errors
Issue 4 May 2026
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By: Athar Fikry
Podcast read by: Emmie Christie
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By: Lio Abendan
Podcast read by: Jenna Hanchey
Strange Horizons
2 Mar 2026
Strange Horizons invites non-fiction submissions for our March 30 special issue on “Fungi in SFF.”
Issue 2 Mar 2026
Strange Horizons
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