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They said it either lost its atmosphere
or was an ocean world. Once there,
she was a lazy giant twirling, orbiting
TOI 733 the way a human girl moves
after smoking two bowls, all syrup
and swirl of smoke. Two-and-a-half
Earth-days of light, two-and-a-half
eternities of night. Have you camped
on an ocean? Blacker than black,
sky bleeds into sand and water and cliff.
I thought of my abyssal Pacific
as the barbarous bathtub of old gods,
but TOI 733 b, massive mother of sirens,
is the Platonic form of ocean,
the unfathomable fathoms I recall
from the first time I laid Island-child eyes
on the Atlantic, the idea of enormity
I chase when set free among the stars.
But space is an empty field, no body
to caress, to drown in, to take into
my mouth like a lover’s salt. She never
turns her face away from her star—
have you ever known such a dedicated
lover, all scorching breasts and frozen back?
Taking off my hotsuit for a starlit swim
was less damning than holding her
only in my head, untouched. I never even
screamed. Now I am a memory married
to immensity, a mind’s flickering reel
of cobalt sky and waves blown back,
red hair ashed from my skull, gone black.



Colleen S. Harris is a university library dean and author of four poetry books and four chapbooks, most recently The Light Becomes Us (2025), Toothache in the Bone (2025), The Girl and the Gifts (2025), and These Terrible Sacraments (2019; 2010). Find her as warmaiden on Bluesky/Insta/Twitter and at colleensharris.com.
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3 Aug 2026

I had a daughter and then I didn’t. I woke in the cradle of midnight, shivering from a supernatural cold. I thought at first that she was crying, that she had woken me, like so many midnights before. But there was silence all around me. I sat up on one arm and peered into her crib. She was gone. In her place was wrapped a sallow, horned little boy. His eyes blinked open. I look at him. He looked at me. Changeling, I thought. Then he started to scream. “Why weren’t the windows
The deads are punctual. They arrive exactly when there is nothing left to distract us.
survival is a fungus
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards.
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