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Whole countries engineering their own demise. Cities
of the dead. Houses of the dead. Individuals of the dead

yet to realize their part in that world. Vaccines.
I’m talking about vaccines. We can kill the killer.

So many murderers entombed behind Arkham’s walls.
The Red Spot. Mr. Mump. We give them cute names

because they take our children first and, not being cruel,
we don’t want to scare the children. Back then,

we died and we liked it. A shorter life enriched
the short life lived. A concentrate. A distillate.

Paralyzed by polio? Think of all the time to think!
O ignorant couple, so many children you have.

The better to survive us with. O ignorant couple,
so many graves you have. The better to populate

Heaven. There are some diseases without cure
and we’re not cruel. We don’t want them to be lonely.



Andrew Kozma's fiction appears in Phano, Dream Theory Media, and Flash Fiction Online, while his poems appear in Strange Horizons, The Deadlands, and Rogue Agent. He has two books of poetry: City of Regret and Orphanotrophia. You can find him on Bluesky at @andrewkozma.net and visit his website at www.andrewkozma.net.
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5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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