Size / / /

I

You can see them as they move among you
their opalescent aura shimmers like summer pavement heat,
mother-of-pearl, on the tips of their frizzed-out split ends.
They like to think they're normal.
The light behind their eyes is a look they share with the acid-
eaters, you know, an enlightened other-worldliness.
Their power comes from this world, though,
the dark side lighted only by the cycles of the moon . . .
Draw it down, draw it down.
The world of night is their kingdom --
they rule as the rulers sleep.
In woody nature the feather light edges soften
the twinkle of lights glimpsed in the trees.
They leap from one long shadow to the next,
Zig-zagging in catty-corners.
Everything in the negative, the feminine dark shadows
moon-shortened.

II

In the suburbs, you can hear the triumphant "Hah!"
as the pretty girl dances from her tiny tab. Night vision
comes from dropping back, pupils wide giving dark eyes
innocent overtones. Lovely Sacred Daughter of Diane.
She is sister to children of the moon, city lights too
close, ancient roots faded. Frantic finger-
honey finds solace in the night, each star a distant diamond
winkling clearly reflected in the dark space of her eyes.
The mad chant sweats beneath her delicate summer rain gown.
Using the game to create the essential essence,
she is led in where glowing bulbs force the male upon her.
Mist is left on the threshold; inside where the air won't move
her delicate power pounds beneath the want of others.
In her tiny sleep, the music of her distant siblings dying
doesn't waken her.

 

Copyright © 2002 Heather Shaw

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Heather Shaw has been a poetry editor, a performance poet at Lollapalooza, and was recently nominated for a Rhysling. When not immersed in verse, she writes fiction, non-fiction and makes up silly songs with her boyfriend, writer Tim Pratt. For more, see her Web site.



Bio to come.
Current Issue
9 Feb 2026

“I’ve never actually visited the pā before,” she said out loud. “Is this where they gather lāʻī to make the pūʻolo?” she asked. “Yes,” Benny responded, glancing to see where Nanea was pointing. “Here and in other places as well. Many of these ti have been growing for decades now.” She paused for a moment. “I think about all the work you guys do, you know, up in those offices, and I think that all of that work actually starts from right here, in the ground, all covered in the earth and the pōhaku and the ti. Most people don’t even know it, but it all starts right here.
sometime in the night, we heard rocking and knocking and rapping and tapping, a million trillion tiny feet
The triangles bred and twisted, replicating themselves.
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