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Any clot with a crossword
can break a greenshield.
The Admiralty never uses sea tar
except for the decoy of dirty tricks.
We curled to the tradecraft of such things
like wet oak and shoreline, the wind-sponged bricks of Block D.
The wireless crawled with morphogenesis.
Incredible that so much should be entangled
in the traffic of our both-ways world.
Queer lot that we were
with our notebooks crusted like churchyards,
did we breed in secret,
sleeves shedding a lecture of spores?
We found our code
between silence and symbiosis,
our maps and scripts, our audacious sunbursts.



Sonya Taaffe reads dead languages and tells living stories. Her short fiction and poetry have been collected most recently in As the Tide Came Flowing In (Nekyia Press) and previously in Singing Innocence and Experience, Postcards from the Province of Hyphens, A Mayse-Bikhl, Ghost Signs, and the Lambda-nominated Forget the Sleepless Shores. She lives with one of her husbands and both of her cats in Somerville, Massachusetts, where she writes about film for Patreon and remains proud of naming a Kuiper Belt object.
Current Issue
5 Oct 2026

In time, the entire shift’s 138 Express inbound transfers are processed, and I’m free to service passengers from other lines. These transfers are unremarkable. These passengers aren’t refugees.
Forgive me, someone.
Turn on the stove. See it startle.
In this episode of Critical Friends , the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliot and Rosanna Pendlebury, to ask questions about literary SFF. What is it? How do we know it when we see it? And what’s it good for?
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